Rev elations

This 5th-century mosaic from Sant'Apollinare Nuovo in Ravenna depicts the Last Judgement in which Christ separates the sheep from the goats.  It is considered among the oldest mosaic depictions of a New Testament scene.  Photo by Lawrence OP    https://www.flickr.com/photos/paullew/156700138 L ast week we looked at Judgment and the End Times in the ‘Parable of the Talents’ and I alluded to the fact that the lengthy passages of teaching in Matthew’s Gospel on this subject ended with the story of the sheep and goats. It is this story that we will look at more closely today. The story itself, in rounding off the passages on the End Times, introduces the main drama of the Gospels – the plot to kill Jesus, his arrest, crucifixion and resurrection (Matthew 26-28). The ethical reasoning in the sheep and the goats’ narrative demands further exploration. It seems to pose the question: why should humans treat each other with compassion, love and charity? The answer gi

The Parable of the Talents Matthew 25:14-30 'The Harrowing of Hell' by a follower of Hieronymous Bosch, date unknown The Parable of the Talents comes near the end of a series of parables and teachings on the end times and judgment in Matthew’s Gospel. It is most helpfully read in this context, as an apocalyptic parable. Apocalyptic teaching generally addresses: ‘signs of the end of the age’, ‘the end times’,  ‘the coming of the Son or Man’, ‘the necessity for watchfulness’ and ‘judgment’. It is in this context that we get the Parable of the Ten Bridesmaids, for instance. They are waiting with their lamps for the bridegroom: 5 are foolish and 5 are wise. The wise take flasks of oils with their lamps, the foolish don’t. Whilst the foolish ones go to buy oil they miss the bridegroom and are locked out of the banquet. It ends with the words: ‘keep awake therefore, for you know neither the day nor the hour’. There is also the Parable of the Faithful and Unfait